{"id":4011,"date":"2018-02-27T23:59:37","date_gmt":"2018-02-28T02:59:37","guid":{"rendered":"https:\/\/dijitaltopuklar.com\/s\/?p=4011"},"modified":"2018-02-27T23:59:37","modified_gmt":"2018-02-28T02:59:37","slug":"atesin-kizi-fureya-2","status":"publish","type":"post","link":"https:\/\/perihanciragoz.com\/dijitaltopuklar\/2018\/02\/atesin-kizi-fureya-2\/","title":{"rendered":"Ate\u015fin K\u0131z\u0131: F\u00fcreya"},"content":{"rendered":"

Bir\u00e7ok kad\u0131na kendini ger\u00e7ekle\u015ftirmek konusunda ilham verece\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz “\u0130lham Veren Topuklar<\/strong>“\u0131n bu ilk yaz\u0131s\u0131n\u0131, b\u00f6l\u00fcm\u00fc hayata ge\u00e7irmemizde bize destek olan Kale Grubu’nun, ge\u00e7ti\u011fimiz aylarda 60. kurulu\u015f y\u0131l\u0131 vesilesiyle T\u00fcrkiye’de iz b\u0131rakan bir sergiyle and\u0131\u011f\u0131, T\u00fcrkiye’nin ilk \u00e7a\u011fda\u015f seramik sanat\u00e7\u0131s\u0131 F\u00fcreya Koral’a ay\u0131rmaktan mutluluk duyuyoruz.<\/em><\/p>\n

K\u00e1roly Aliotti, Nil\u00fcfer \u015ea\u015fmazer ve Farah Aksoy k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde d\u00fczenlenen bu\u00a0retrospektif sergi<\/a>, F\u00fcreya’y\u0131 20. \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fcnde anarken, onu t\u00fcm y\u00f6nleriyle gelecek nesillere de aktaran bir f\u0131rsat oldu.\u00a0<\/em><\/p>\n

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Sene ba\u015f\u0131nda S\u0131raevler’de d\u00fczenlenen sergiden bir g\u00f6r\u00fcnt\u00fc…<\/figcaption><\/figure>\n

“\u0130stiyorum ki yapt\u0131\u011f\u0131m \u00e7ini tabakta en fakir ev yemek yesin. Benim \u00e7inilerim herkesin olsun.”<\/em><\/p><\/blockquote>\n

diyerek T\u00fcrkiye’yi seramik sanat\u0131yla tan\u0131\u015ft\u0131ran F\u00fcreya Koral,\u00a0yaln\u0131zca seramik\u00e7i de\u011fil. \u00c7iniye katt\u0131\u011f\u0131 \u00e7a\u011fda\u015f yorumla geleneksel duvar s\u00fcslemecili\u011fini ileri ta\u015f\u0131yan, serami\u011fi duvar panolar\u0131nda mimari bir unsur olarak kullanarak mimari r\u00f6nesansa katk\u0131 sa\u011flayan, serami\u011fin herkesin hayat\u0131nda yer almas\u0131 i\u00e7in \u00e7abalayarak serami\u011fin s\u0131n\u0131rlar\u0131n\u0131 zorlayan bir zanaatkar ayn\u0131 zamanda…<\/p>\n

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Florya’daki S\u0131r\u0131kl\u0131 K\u00f6\u015fk’\u00fcn teras\u0131nda, 1935. Foto\u011fraf: Sara Koral Aykar ar\u015fivi<\/figcaption><\/figure>\n

\"\"<\/a>1910 y\u0131l\u0131nda B\u00fcy\u00fckada’daki \u015eakir Pa\u015fa kona\u011f\u0131nda ba\u015flayan F\u00fcreya Koral’\u0131n hik\u00e2yesi, dokundu\u011fu herkese gitmek istedikleri yol ile ilgili cesaret ve ilham veren<\/strong>, zamans\u0131z bir \u00f6yk\u00fc…<\/p>\n

\u0130ki y\u0131l i\u00e7inde yirmi senelik yol alm\u0131\u015ft\u0131m sanki. \u0130htiyarlam\u0131\u015ft\u0131m, yaralanm\u0131\u015ft\u0131m, iki \u00e7ocuk kaybetmi\u015f ve \u00f6l\u00fcm\u00fcn e\u015fi\u011finden d\u00f6nm\u00fc\u015ft\u00fcm. \u00c2\u015f\u0131k oldu\u011fum kocam\u0131, gururumu korumak i\u00e7in bo\u015fam\u0131\u015ft\u0131m ve hen\u00fcz yirmi iki ya\u015f\u0131ndayd\u0131m. … teyzemin pe\u015finden Atina’ya gittim… ve orada bir Anka ku\u015fu gibi, k\u00fcllerimden bir kez daha do\u011fdum.<\/p><\/blockquote>\n

olarak anlat\u0131yor Ay\u015fe Kulin, F\u00fcreya’n\u0131n sanatla tan\u0131\u015fma \u00f6yk\u00fcs\u00fcn\u00fc F\u00fcreya<\/em> ismini verdi\u011fi d\u00f6nem roman\u0131nda…<\/p>\n

Bulundu\u011fu ailenin konumu itibar\u0131yla sanat\u0131n i\u00e7ine do\u011fan F\u00fcreya Koral, as\u0131l a\u015fk\u0131 olan serami\u011fe ya\u015fam\u0131n\u0131n ge\u00e7 say\u0131labilecek bir evresinde, 1947\u2019de tedavi g\u00f6rmek \u00fczere yatt\u0131\u011f\u0131 \u0130svi\u00e7re\u2019deki Leysin sanatoryumunda, teyzesi\u00a0Fahrelnissa Zeid\u2019in \u0131srar\u0131yla ba\u015fl\u0131yor.<\/p>\n

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Seramik tabak, Sara Koral Aykar koleksiyonu<\/figcaption><\/figure>\n

Tedavisinin ard\u0131ndan gitti\u011fi Paris\u2019te d\u00f6nemin \u00fcnl\u00fc seramik sanat\u00e7\u0131lar\u0131ndan Georges Serr\u00e9 ile tan\u0131\u015f\u0131yor.\u00a0Onun y\u00f6nlendirmesiyle \u00e7e\u015fitli seramik at\u00f6lyelerinde \u00e7al\u0131\u015ft\u0131ktan sonra 1951\u2019de Paris\u2019teki Galerie M.A.I.\u2019de ilk ki\u015fisel sergisini a\u00e7\u0131yor.<\/p>\n

Bir ak\u015fam\u00fcst\u00fc, bir saatin i\u00e7inde y\u0131ld\u0131z olmu\u015ftu F\u00fcreya.<\/p>\n

Ertesi sabah gazeteleri ald\u0131 ve hakk\u0131nda \u00e7\u0131kan yaz\u0131lar\u0131 okudu.
\n“F\u00fcreya’n\u0131n, bu T\u00fcrk sanat\u00e7\u0131n\u0131n sevgisi, do\u011fu ile bat\u0131 k\u00fclt\u00fcr\u00fcn\u00fcn bir sentezidir,”<\/em> diyordu bir sanat ele\u015ftirmeni.
\n“Bu kad\u0131na dikkat edin. Takip edilmesi gereken bir sanat\u00e7\u0131,”<\/em> diyordu bir ba\u015fkas\u0131…<\/p>\n

F\u00fcreya, o sergide bir de\u011fi\u015fim ya\u015fam\u0131\u015ft\u0131.
\nO art\u0131k bir seramik\u00e7iydi!<\/p><\/blockquote>\n

Ve hayat\u0131n\u0131n son d\u00f6nemlerine kadar da seramik\u00e7i kalacakt\u0131. T\u00fcrkiye’ye d\u00f6nmesinin ard\u0131ndan ilk \u00f6zel \u00e7a\u011fda\u015f sanat galerisi Maya Galerisi\u2019nde ilk ki\u015fisel sergisini a\u00e7acak,\u00a01960\u2019larda \u00e7ini gelene\u011finden yola \u00e7\u0131karak, bir\u00e7ok kamusal yap\u0131ya duvar panolar\u0131 \u00fcretecekti.<\/p>\n